there can be another thing at gamble here: the framework of female sex as some thing filthy and shameful.

Esmeralda was, again, a fantastic exemplory instance of this. As a figure, she is obviously in touch with this lady sexuality: while in the event of Fools, she ‘performs on stage in an extremely beautiful reddish dress’, even twirling around a spear ‘as a makeshift pole.’ The dress she wears is extremely tight-fitting and discloses every curve and strength. (find out more about it on Hannah Koga’s post ‘Esmeralda and Sexualization’). Read more